Exhibition· Paris
Présence Panchounette, Le soir au fond de la cuisine
Le soir au fond de la cuisine (1981) is another complex assemblage of symbols and signifiers. Produced with a minimum of means and the rapidity that characterize their stokes of genius, it is made up of a piece of oilcloth decorated with hunting scenes and a hunting horn transformed into a lamp. The fertility of the dialectics of rapprochement and antagonism cultivated by Présence Panchounette can